Sabtu, 27 September 2014

[E698.Ebook] Ebook Download The Design of Coffee: An Engineering Approach, by William Ristenpart

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The Design of Coffee: An Engineering Approach, by William Ristenpart

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The Design of Coffee: An Engineering Approach, by William Ristenpart

The Design of Coffee provides a non-mathematical introduction to chemical engineering, as illustrated by the roasting and brewing of coffee. Hands-on coffee experiments demonstrate key engineering principles, including material balances, chemical kinetics, mass transfer, fluid mechanics, conservation of energy, and colloidal phenomena. The experiments lead to an engineering design competition where contestants strive to make the best tasting coffee using the least amount of energy – a classic engineering optimization problem, but one that is both fun and tasty!

Anybody with access to a sink, electricity, and inexpensive coffee roasting and brewing equipment can do these experiments, either as part of a class or with your friends at home. The Design of Coffee will help you understand how to think like an engineer – and how to make excellent coffee!

FEATURES:
* Covers all aspects of making coffee, from green beans to the final brew
* Does not require calculus or college-level chemistry
* Emphasizes the scientific method and introductory data analysis with guided data sheets and lab report questions
* Includes 9 full experiments, each with background on key concepts, overview of necessary equipment, and detailed instructions:

  • Lab 1 - Reverse Engineering a Drip Coffee Brewer
  • Lab 2 - Process Flow Diagram and Mass Balances for Coffee
  • Lab 3 - The pH of Coffee and Chemical Reactions
  • Lab 4 - Measuring the Energy Used to Make Coffee
  • Lab 5 - Mass Transfer and Flux during Brewing
  • Lab 6 - Coffee as a Colloidal Fluid and the Effect of Filtration
  • Lab 7 - First Design Trials: Optimizing Strength & Extraction
  • Lab 8 - Second Design Trials: Scaling Up to 1 Liter of Coffee
  • Lab 9 - Design Competition and Blind Taste Panel

  • Sales Rank: #233436 in Books
  • Published on: 2015-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .26" w x 8.50" l, .61 pounds
  • Binding: Paperback
  • 112 pages

About the Author
William Ristenpart and Tonya Kuhl are professors of chemical engineering at the University of California Davis. Their general education class, “The Design of Coffee,” was initially developed in 2012 and is now taught to over 1,500 students per year.

Most helpful customer reviews

1 of 1 people found the following review helpful.
TIP FOR THOSE TAKING ECM 01.
By Colton Ku
If you are taking ECM 01 at UCD, it is not a requirement to buy this book. You will need to follow the instructions and write up lab reports, but you don't tear out any pages and turn them in. If you have a friend you are taking the class with, I recommend that you share a book and save yourself the $$. That said, this book is filled with a lot of great information. You aren't required to read the introductions before each lab, but you should. If you like coffee or want to get into it, this little book will make you quite an expert. By the end of the class you should know the difference between a well-brewed cup of coffee and a bad one.

1 of 1 people found the following review helpful.
Makes coffee fun again
By P. Cook
Great broad stroke covering of both coffee and engineering. I bought this to help with my brewing, but I've been learning so much more.
This author and his university are currently underwriting lots of cool coffee projects. This book is a small price to pay for access to this guy's brain.

1 of 1 people found the following review helpful.
Simple yet fun labs that drive home the main idea that is ...
By Xena
Simple yet fun labs that drive home the main idea that is being taught. Big print and with fill in the blanks for easy organization.

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Rabu, 24 September 2014

[O635.Ebook] PDF Ebook Maximilian I, Holy Roman Emperor, by R. W. Seton Watson

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Maximilian I, Holy Roman Emperor, by R. W. Seton Watson

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

  • Sales Rank: #11937329 in Books
  • Published on: 2010-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .30" w x 5.98" l, .43 pounds
  • Binding: Paperback
  • 140 pages

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Senin, 22 September 2014

[S360.Ebook] Get Free Ebook On Monsters: An Unnatural History of Our Worst Fears, by Stephen T. Asma

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On Monsters: An Unnatural History of Our Worst Fears, by Stephen T. Asma

Hailed as "a feast" (Washington Post) and "a modern-day bestiary" (The New Yorker), Stephen Asma's On Monsters is a wide-ranging cultural and conceptual history of monsters--how they have evolved over time, what functions they have served for us, and what shapes they are likely to take in the future. Beginning at the time of Alexander the Great, the monsters come fast and furious--Behemoth and Leviathan, Gog and Magog, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs of tomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory beyond the safe enclosures of rational thought. Exploring sources as diverse as philosophical treatises, scientific notebooks, and novels, Asma unravels traditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated.

  • Sales Rank: #408483 in Books
  • Published on: 2009-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x 1.10" w x 9.30" l, 1.55 pounds
  • Binding: Hardcover
  • 368 pages

Amazon.com Review
Real or imagined, literal or metaphorical, monsters have exerted a dread fascination on the human mind for many centuries. Using philosophical treatises, theological tracts, newspapers, films, and novels, author Stephen T. Asma unpacks traditional monster stories for the clues they offer about the inner logic of our fears and fascinations throughout the ages.

Take a Closer Look at the Mythical Creatures from On Monsters
Click on image to enlarge


The manticore monster was thought to favor human flesh.
Descriptions of the beast appear in the natural history texts of Ctesias, Aristotle, and Pliny.
Pencil drawing by Stephen T. Asma © 2008, based on a sketch from Edward Topsell’s seventeenth-century bestiary.



The Golem is a bumbling monster of Jewish folklore. The clay creature was animated by Rabbi Judah Loew to protect the Jewish ghetto but could not be controlled and wreaked havoc in Prague.
Pen and ink drawing by
Stephen T. Asma © 2008.


The Cyclops legend was fueled by ancient Greek misinterpretations of mastodon skulls found in Mediterranean caves.
Pencil drawing and collage by
Stephen T. Asma.


Symbolic of God’s power, the biblical Behemoth appears in the Book of Psalms and Job.
Pencil drawing by Stephen T. Asma © 2008.

From Publishers Weekly
Asma's book zooms in on the subject of monsters, both mythical and real, past, present and future, detailing how they have fascinated and frightened the human imagination through all of recorded time. Conjuring dread, the mind's eye has embraced the Philistine giant Goliath, Grendel, the golem of Jewish lore, Frankenstein's monster, freak shows, monster spectacles and werewolves with equal parts affection and terror, writes Asma, a philosophy professor at Columbia College Chicago. Using varied media sources, from history to legend and literature, Asma studies the symbolic meaning of monsters (e.g., biblical monsters represent arrogance in the face of God's power) and their psychological function. He concludes that humans need an excuse to fight, protect and defend, as well as to transfer those horrific qualities, our own monstrous desires, to inhuman beings. A wide-ranging exploration of fear and evil, Asma's presentation and theories are original and practical, depicting those dark, repulsive notions of an unstable, turbulent world in which everybody must struggle to remain human and civilized. 30 b&w illus. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

"Monsters literal and metaphorical are dissected with skill and discernment in philosopher and scholar Asma's penetrating "unnatural history." Erudite, funny, and deeply attuned to the profound psychological and moral implications of monstrousness, Asma encompasses the mystical and the scientific as he ponders the simultaneous repulsion and attraction monsters arouse... Asma is insightful and entertaining in his discussion of monsters of the deep, supernatural doppelgangers, zombies, and vampires, and intense in his discussion of Freud and the 'science of monstrous feelings...' Asma's far-reaching book of monsterology is original, captivating, and profoundly elucidating."--Booklist starred review


"With insight, erudition, and humor, Asma's compendium of monsterology traces the evolving meanings and manifestations of monsters since antiquity, in religion, philosophy, science, literature, popular culture, and the human psyche. To explain the eternal attraction and repulsion of the monstrous, Asma draws on material from Aristotle to nanotechnology, revealing myriad, surprising ways that supernatural, natural, and metaphorical monsters inhabit the landscape of our imagination."--Adrienne Mayor, author of The First Fossil Hunters and The Poison King


"On Monsters is a humorously omnivorous consideration of the monstrous. It's a delightful book, a terrific balance of scholarship and wonder."--Audrey Niffenegger, author of The Time Traveler's Wife


"A wide-ranging exploration of fear and evil, Asma's presentation and theories are original and practical, depicting those dark, repulsive notions of an unstable, turbulent world in which everybody must struggle to remain human and civilized." --Publishers Weekly


"A comprehensive modern-day bestiary."--New Yorker


"Cleverly conceived and slyly written...I have seldom read a book that so satisfyingly achieves such an ambitious goal... His new book is a feast." --Washington Post


"Spelunking adventure through the caverns of world history, culture and thought." --Chicago Sun-Times


"Asma has a lucid, engaging style, and he uses it to provide a thoughtfully breezy survey of the bizarre and the lurking." --Chicago Reader


In his new book, On Monsters: An Unnatural History of Our Worst Fears, Columbia College lecturer Stephen Asma lays out a frightful and compelling bestiary." --Time Out Chicago


"This highly readable, often humorous book is suitable for anyone interested in the history of ideas, culture, and the imagination." --Choice


"Asma's book is a thoroughly entertaining and informative discussion of human fear and monsters. It consistently takes the reader in unexpected directions and makes complex connections that are not readily apparent. The mixture of history, religion, psychology, and philosophy, infused with periodic doses of popular culture references, makes this book much more than simply a bestiary of monsters."--Journal of Folklore Research


"A thoroughly entertaining and informative discussion of human fear and monsters. It consistently takes the reader in unexpected directions and makes complex connections that are not readily apparent. The mixture of history, religion, psychology, and philosophy, infused with periodic doses of popular culture references, makes this book much more than simply a bestiary of monsters." --Journal of Folklore Research


Most helpful customer reviews

0 of 0 people found the following review helpful.
What a beautiful, informed
By Gwangipal
What a beautiful, informed, heartfelt, and patient book this is. Wry and self-effacing, Asma is at the top of readable monster culture analysis.

20 of 20 people found the following review helpful.
The Monsters Within
By Adam Rourke
On Monsters takes you down a dark stair into the cellar of the human mind. A place where all that is horrible and inconceivably wicked in the universe scurries about in the shadows ready to leap out upon you from the darkness. Mankind's fascination with, and dread of, monsters is a part of the human experience that stretches back in the past as far as we are able to see. What these ideas are have changed and grown through the centuries in step with the growth of our understanding of the world and our place in it. To the ancients monsters were outside, outside of us and outside the world that the gods had made. Rapacious and insatiable it was up to the great heroes, Beowulf and St. George, to slay them. And to some extent this is still valid today. But by the time of the Greeks people had begun to realize that things were not that simple. There could be human monsters too, Medea serving her children for supper.

Dr. Asma undertakes to lead you through the entire conceptual history of monsters. A compendium of monsterology beginning with Alexander and his battle with monsters in India on up to the present, every type of monster is given its turn. As our understanding of monsters develops you can see the monsters evolving. The cyclops of the ancients, the witches of the medieval church, the physical mutants of science, the Frankenstein's monster and the werewolves of popular culture, the Hitler's, the John Wayne Gracie's and the monsters of our own psyche. What they are and how they are understood in today's world the understanding of monsters is not simple and has simple answers. Perhaps this is the lesson of the whole book for in the end the monster's are within us all. And if we are ever to control them it is here that they must be faced. This book will give you some fresh insights into some of the darker recesses of the human mind which in turn gives one a better understanding of how you can control them in your own life.

19 of 20 people found the following review helpful.
What is a Monster?
By joyful
On Monsters: An Unnatural History of Our Worst Fears by Stephen Asma attempts to answer this question from a wide range of fascinating perspectives.

Asma begins with the origin of the word monster: "Monster derives from the Latin word monstrum, which in turn derives from the root monere (to warn). To be a monser is to be an omen." From there, Asma explores symbolic and literal monsters, the perception of monsters throughout history to the present day as well as their role in the future.

Asma's overall definition of what has been perceived as monsters is broad, encompassing mythological ones such as griffins and manticores to serial killers like John Wayne Gacy. Asma even delves into horror movies or "torture porn," such as Hostel.

The Loch Ness Monster is mentioned briefly a couple of times. Bigfoot doesn't make an appearance at all. This isn't that kind of book.

Instead, Asma explores all the facets and connotations of the monstrous:

As detailed in the ancient histories of Pliny and Herodotus
-Greek mythology
-as archetypes
-Modern-day criminal monsters
-Future monsters
-literary monsters such as Grendel and Frankenstein's creature
-Biblical monsters
-psychological
-biological: mutants
-historical
-cultural
-medical
-scientific

In chronicling the role of monsters throughout history, Asma lists some idiotic, once widely-held beliefs. One of the more outrageous ones (at least from a modern-day, enlightened point of view) is that in the middle ages, it was thought that the following caused a mother to give birth to a monster [meaning a mutant or freak]:
Too great a quantity of seed
Too little quantity
The imagination
the narrowness or smallness of the womb
the indecent posture of the mother, as when, being pregnant, she has sat too long with her legs crossed, or pressed against her womb

Surprisingly, rather than assembling a menagerie of fearsome and fantastic creatures, Asma gathers human monstrosities, such as psychopaths. The demonization of "the other" in society (other races, religions, cultures), he argues, is a form of monster-making.

Given the many and varied examples of monsters throughout history, Asma concludes that there isn't "one compelling definition of monster"; however, most monsters share the same characteristics:

"Monsters cannot be reasoned with. Monsters are generally ugly and inspire horror. Monsters are unnatural. Monsters are overwhelmingly powerful. Monsters are evil. Monsters are misunderstood. Monsters cannot be understood...They reflect the fears of specific eras. But they also reflect more universal human anxieties and cognitive tendencies, the stuff that gives us human solidarity...."

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Minggu, 14 September 2014

[M764.Ebook] Download PDF Out of the Blue: September 11 and the Novel, by Kristiaan Versluys

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Out of the Blue: September 11 and the Novel, by Kristiaan Versluys

Writers have represented 9/11 and its aftermath with varying degrees of success. In Out of the Blue, Kristiaan Versluys focuses on novels that move beyond patriotic clichés and cheap sensationalism and provide new insights into the emotional and ethical impact of these traumatic events& mdash;and what it means to depict them. Versluys focuses on Don DeLillo's Falling Man, Art Spiegelman's In the Shadow of No Towers, Jonathan Safran Foer's Extremely Loud and Incredibly Close, Frédéric Beigbeder's Windows on the World, and John Updike's Terrorist. He scrutinizes how these writers affirm the humanity of the disoriented individual, as opposed to the cocksure killer or politician, and retranslate hesitation, stuttering, or stammering into a precarious act of defiance. Versluys also discusses works by Ian McEwan, Anita Shreve, Martin Amis, and Michael Cunningham, arguing for the novel's distinct power in rendering the devastation of 9/11.

  • Sales Rank: #2162975 in eBooks
  • Published on: 2009-07-01
  • Released on: 2009-07-01
  • Format: Kindle eBook

Review

Illuminating.

(Nigel Rodenhurst Times Higher Education Supplement)

Highly recommended.

(Choice)

Review

From the often moving simplicity of victims' telephone messages to immediate and persistent political uses and abuses and the complex variations of literary 'counter-narratives' and theoretical reflections, this book explores the possibilities and pitfalls of trauma theory in trying to account for catastrophic events and the attempts to come to terms with them, their voids, and their aftershocks.

(Dominick LaCapra, Cornell University, and author of History and Its Limits: Human, Animal, Violence)

One of this study's key strengths lies in its confident and mature voice, which can be discerned both in Kristiaan Versluys's ease and breadth of reference to earlier twentieth-century works and in his intimate and informed understanding of the geographical and cultural landscapes of New York. Out of the Blue undoubtedly has the potential to become a defining work and an invaluable point of reference.

(Anne Whitehead, Newcastle University, and author of Trauma Fiction)

In a series of elegant readings, Kristiaan Versluys probes the paradox at the heart of all literary responses to traumatic events: the impossibility of expressing the inexpressible and the necessity of bearing witness to extreme violence. Combining ethical intelligence and nuanced analyses, Versluys provides a readable introduction to a rapidly emerging genre. This insightful book will interest all who are struggling to make sense of the trauma of September 11 and its aftermath.

(Michael Rothberg, author of Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization)

About the Author

Kristiaan Versluys is a professor of American literature and culture at Ghent University, Belgium, and a regular visiting professor at Columbia University. He is the author of The Poet in the City: Chapters in the Development of Urban Poetry in Europe and the United States and the editor of Neo-Realism in Contemporary American Fiction.

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  • Published on: 2000
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  • 15 pages

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